Correct wardrobe, setting and light on frames that nearly tallied. One change per job, 21 credits, originals preserved in the book.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Every ledger has frames that nearly tallied. The pose holds, the light is true, but the outfit belongs to another line of the list, or the room belongs to another set entirely. The editor exists for those frames. State the change in plain words — wardrobe, setting, light, a single detail — and the frame is re-rendered with that change made and everything else left standing as entered. Editing costs 21 credits a job, shown before you confirm, and the original is never overwritten: it stays in your book beside its corrected version, like an entry and its amendment, both visible.
Strong bones, wrong details. A frame whose composition itself has failed costs more to repair than to remake, and the correction column is not where pride should be spent.
A single instruction keeps the rest of the frame still and the cost predictable. Three changes at once is not an edit; it is a regeneration wearing an edit’s cost.
Original and correction rest side by side in the book. Ship the winner. The other costs nothing further and asks nothing of you.
The same pose dressed for three different packs — the quickest multiplication a catalogue knows.
Archive room to hotel boudoir to bare studio wall, without moving the woman or the light that holds her.
Cool daylight to lamplight, flat to dramatic — a frame re-graded so it sits quietly among the set it is joining.
“Change the slate-blue slip to burgundy satin and lace. Keep the pose, the hair and the cool daylight exactly as they are.”
The change is named and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work on every line of the list.
“Move the scene to a boutique hotel boudoir with a rattan screen and warm lamplight. The subject and her pose do not change.”
One environment, moved once. A new room, a new outfit and a new pose in a single job is a new photograph, and should be briefed as one.
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the bones of the frame and costs less |
| The composition itself has missed | Remake the frame at the generator with a corrected brief |
| One keeper, three packs | Edit three times from the one keeper |
21 credits per job, shown before you confirm. Repairing a keeper is normally cheaper than remaking and re-judging a whole set at the first line.
No. The correction is a new entry in the book. The original rests untouched, and both remain yours.
One. Stacked changes unsettle exactly the parts you asked to keep, and the frame drifts off list.
Yes — your own photographs, under the same consent rules as every upload in this ledger.
Narrow the instruction and name what must stay identical. Vagueness is the usual cause of a drifting correction.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator